Croatian Art© by Darko Zubrinic, Zagreb (1995)
Very important remain of Byzantine art in Croatia is the Euphrasius Basilica in Porec, built in the 6th century.
There are numerous traces
of much older civilizations
Croatia. Especially interesting is the Vucedol
Culture (Early Bronze Age,
3000-2200 B.C.), discovered in the
region near Vukovar,
contemporary to the Ancient Egypt (the Old
Kingdom), the Sumerian civilization,
the Old Troy.
On the photo you can see the famous Vucedol
Dove, a bird-shaped
cult vessel, lavishly
incrusted. From ornaments of some pots we know that the Vucedol
culture had the oldest
in Europe, older (though less
sophisticated) than the one in
Stonehenge. See [Durman].
REMARK. The Netscape virtual tutorial offers several examples of some of the most beautiful web-pages, including an excellent presentation of the Diocletian palace in Split by Michael Greenhalgh from the Australian National University, Canberra. Unfortunately, I was not able to convince the author of this exceptional web-page that it would be more convenient to note that the state in which the city of Split lies is Croatia (Croatized already in the 9th century, a part of the Croatian state in the 10th century, during the King Tomislav), rather than ex-Yugoslavia (which was also true, but only for 68 years!).
An important monograph describing Diocletian's Palace in Split is "Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia" written by Robert Adam in 1764, with his main associate Ch.L. Clerisseau. The author, an outstanding Scottish architect, mentions the beauty of Split and its favorable position and climate, stating that ``in the whole of the wide Roman Empire, not a single region could offer Diocletian a more marvelous place to withdraw to for a life of peace''. He designed several buildings in the style of Diocletian's palace (Syon House in Middlesex, Kedleston in Derbyshire, Adelphy Palace in London). Influences of his book can be seen even in St. Petersburg in Russia and in Virginia in the USA.
The octagonal Mausoleum of the Roman Emperor Diocletian was transformed into the Christian church of St Dominius (Dujam) already in the 7th century, representing very probably the oldest cathedral in the world. According to Danish scientist Ejnar Dyggve, St Dominius (Dujam), the earliest known bishop of Salona (4th century), originated from Syria or Mesopotamia. Local Split tradition also confirms this.
It is little known that the founder of the Republic of San Marino is St. Marinus, stone-carver born on the beautiful island of Rab in the 3rd century. Being a Christian, he had to escape to Rimini with his boat due to Roman persecutions of Christians during Diocletian's time. San Marino and the Rab are fraternal towns. Every year a joint festival is held alternately in Rab and San Marino.
Another important archeological site is Bribirska glavica near the town of Skradin, where Croatian dignitaries Subic-Bribirski (later known as Subic-Zrinski) had their seat. The place is near the town of Skradin. First archeological excavations were undertaken by fra Lujo Marun, and then Stjepan Gunjaca. Settled already by Illyrians, during early Roman times it was called Varvaria, and had the status of municipium. In 14th century it was important fortress during the reign of Pavao Subic, Croatian Ban (governor) and ruler of Bosnia. In the period of 1991-1995 Greater Serbian aggression, this outstanding place has been used for bombing and shelling of Croatian towns and villages, and left completely devastated. It was liberated during the Storm operation in 1995.
beginnings of the Croatian art are represented by a rich ornamentation in interlace
pattern. You can
see an important monument with the interlace pattern which contains the
name of Duke
Branimir (9th century).
One of the earliest Croatian cultural monuments is a baptismal font of Prince Viseslav from Nin (around 800 AD), with a nice interlace cross. It contains the following Latin text, full of interesting ligatures: HEC FONS NEMPE SUMIT INFIRMOS, UT REDDAT ILLUMINATOS. HIC EXPIANT SCELERA SUA, QUOD DE PRIMO SUMPSERUNT PARENTE, UT EFFICIANTUR CHRISTICOLE SALUBRITER CONFITENDO TRINUM PERHENNE. HOC IOHANNES PRESBITER SUB TEMPORE VUISSISCLAVO DUCI OPUS BENE COMPOSUIT DEVOTE, IN HONORE VIDELICET SANCTI IOHANNIS BAPTISTE, UT INTERCEDAT PRO EO CLIENTULOQUE SUO.
Croatian translation: Ovaj izvor naime prima slabe, da ih učini prosvijetljenima. Ovdje se peru od svojih zločina sto su ih primili od svog prvog roditelja, da postanu kršćani spasonosno ispovijedajući vječno Trojstvo. Ovo djelo pobožno učini svećenik Ivan u vrijeme kneza Višeslava, i to u čast sv. Ivana Krstitelja, da zagovara njega i njegova štićenika.
importance have about 150 Pre-Romanesque Croatian churches (9th to 11th
century), mostly along the coast. About 15 of them are well preserved
(some of them completely destroyed during the Greater Serbian
aggression in 1991-1995). Probably the best example of old Croatian
church architecture is the Pre-Romanesque Chapel of Holy Cross in Nin
built around 800 AD (Sveti Kriz; see on the right; on the left is the
small church of Sveti Nikola). The British architect Thomas Graham
Jackson called it in 1887 the smallest
cathedral in the Christianity,
because of its monumental architectural conception.
An unofficial estimate claims there are about 10,000 fragments of interlace sculpture scattered all over Croatia, see [Goss], p. 32.
One of the most important monuments of the Pre-Romanesque architecture in Europe is the Church of St. Donat in Zadar (on the left) built in the 9th century. According to [Goss, p 92], a discovery of wooden beams in this monumental church, adorned with interlace, datable by carbon method to around 710, indicates that this building, often referred to as "Carolingian", was well-under construction in the course of eighth century.
The church of St. Krševan (i.e., St. Chrysogonus, see below) in Zadar was started to be built in the beginning of the 10th century, and completed at least in 975 AD (see [Iveković, p. 43]). On the same spot there used to be an older small church, dedicated (according to tradition) to St. Anthony the Abbot (or of Egypt, or the Great), founded by Egyptian hermits in the 5th century(see [ Iveković, p. 41]).
Ćiril M. Iveković: Crkva i samostan sv. Krševana u Zadru, hrvatska zadužbina iz X. stoljeća, Zagreb 1931.
Truly fantastic stone monuments with interlace patterns were found in Dubrovnik and its environs, see [Menalo]. See also another Croatian interlace in the cathedral of St. Tripun of Kotor in Boka kotorska.
Monolithic stone grave monuments, called stechak (literally - standing tombstones), are very impressive, some of them weighing 30 tons, the earliest of them dating from the 13th century. Their overall number is more than 66,000, mostly on the territory of Bosnia-Herzegovina. There is no doubt that such monuments were put up by Catholics and Krstyans (members of a local Christian religious sect in Bosnia) during the Middle Ages. The origin of Krstyans is still not clear. Some of the stecaks have interesting decorations, some even swastika and other symbols and ornaments of eastern provenance, with epitaphs like:
I was like you, and you will be like me...
written in the Croatian Cyrillic alphabet. The most widespread ornaments are Christian symbols.
The first documents of the Croatian Cyrillic alphabet are inscriptions carved in stone in present-day Bosnia-Herzegovina dating from the 10th or 11th century (Humacka ploca) and on the Croatian island of Brac from the 12th century. They also contain some glagolitic letters. Many written documents concerning medieval Croatia contain simultaneously three Scripts, thus proving their unexclusiveness and coexistence, which is unique in the history of European culture. For example some of the religious texts end with `Amen' written three times: in the Glagolitic, Cyrillic and Latin script. Apart from the parallel use of the three Scripts, unique is also the simultaneous use of three languages - Croatian, Latin and Church Slavonic.
It was established by dr. Marasovic that the Pre-Romanesque church of Sveta Marija in Trogir existed as early as 715-717, see [Goss, p. 88]
The wooden portal on the Cathedral of Sv. Dujam in Split carved by Andrija Buvina in c. 1214 is world famous. It is ranked among the most beautiful pieces of art in the medieval Europe.
height of the Buvina door is
5.3 m. It contains 28 scenes from the life of Jesus Christ.
Another famous Croat was Juraj Dalmatinac (Georgius Mattei Dalmaticus, known as Giorgio Orsini in Italy, 15th century, born in Zadar) who built the Loggia dei Mercanti and the portal of St. Francis Church in Ancona. His epoch represents the golden age of Croatian medieval art. His most beautiful achievement is the Cathedral of St. Jacob (Jakov) in Sibenik, the top monument of Croatian culture, reflecting in a sense the character of urban life of that time, and certainly a sculptural chef d'oeuvre (shelled during the Greater Serbian aggression in 1991).
Here is is a drawing of Sibenik's Cathedral appearing in Faust Vrancic's famous book Machinae Novae (Venice, 1595).
you can see lovely lovely churches beautifully decorated by Vincent
of Kastav (15th century).
Especially interesting are his frescos in
the solitary church
of St. Maria near Beram. On the
can see Vincent's ``Dance of Death'', a fresco showing the equality of
all in death. Another Istrian painter whose frescos can be seen in
Istria, including its Slovenian part, is Ivan of Kastav.
The Hrvoje missal, written by Butko in 1404, is kept in the Library of Turkish sultans Topkapi Sarayi in Constantinople, Turkey. It is considered as one of the most beautiful Croatian Glagolitic books. Note a small strawbery below. Yellow details are made of golden leaves.
Outstanding writer and illuminator of glagolitic liturgical books was Bartol Krbavac, born in Lika in the 15th century. His preserved books are kept in the National Library of Vienna (Roc Missal, 15th century), in the State Library of Berlin (Berlin Missal, 15th century):
in the National and University Library of Ljubljana (Beram Missal, around 1425), and in Zagreb.Croatian Poetry in Middle Ages, by Zeljko Skropanic
An unavoidable name in the history of European architecture is Luciano Laurana (Lucijano Vranjanin, 1420-1479), a Croat born near Zadar. Several Early Renaissance palaces and portals had been built up in Italian cities according to his design:
Frano Laurana, known also as Francesco Laureano (1420 - 1502), a Croat born near Zadar, was a sculptor in Italy (Naples, Messina, Palermo) and in France (Aix, Marseille, Avignon, Le Mans, Tarascon). In France (Provence) he worked at the Court of Bon Roi René, and married a daughter of a French painter in Avignon. His portrait busts of women represent the highest achievement of the Quatroccento sculpture. They can be seen in galleries in Palermo, Vienna, New York and Paris (Louvre, Musée Jacquemart - André). His disciple was the famous Donato Bramante. See [Gregory Peroche], p. 72.
In the Musée du Louvre in Paris (l'aile Déon) dedicated to Italian sculpture of Quattrocento, two Croatian artists are represented, Francesko Laurana and Giovanni Dalmata de Trau (Ivan Duknovic from Trogir). Their 4 sculptures and bas-reliefs can be seen in the first hall. It is interesting that Renaissance art appeared in Croatia about a hundred years earlier than in France. See information about the exhibition La Renaissance en Croatie at Musée national de la Renaissance in Paris in 2004.
Ivan Duknovic (15/16th centuries), together with Mimo de Fiealo, constructed the grave of Pope Paul II, which is regarded as the most important sculptural work of the 15th century in Rome (Duknovic made the portrait of the Pope, alegorical presentation of Hope, etc.).
(Giorgio) Spavento was an
important 15th century builder in Venice, whom chronicler Marin Sanuto
called homo di grande inzegno.
He was a protomaster in
construction of the Venetian bell-tower of basilica of St Marco. He
participated in building of monumental Scale
dei Giganti in
Ducal Palace, and was involved in questions of regulation of a canal
around Ponte dei Navi in Venetian arsenal. Italian historiography seems
to be reluctant to stress that his birthplace was the city of Trogir.
paintings of Blaz
Trogiranin (known as Blasius
Pictor, ~1412 - 1448) are held not
only in various churches in Croatia - in Zadar, Sibenik, Trogir,
Kastel, Split, Korcula, Ston, Dubrovnik, but also abroad - in the
People's Museum in Budapest, Museo Correo in Venice, People's Gallery
in Warszaw, Luxemburg. He was fluent in the glagolitic
script, which we know from his
short note on the polyptych prepared
for the church of St. Lovro in Trogir. Blaz was born in the Croatian
region of Lika.
Juraj Culinovic (1435-1504), Croatian Renaissance painter, was active in his native town of Sibenik. Except in Croatia, his polyptichs are kept also in Torino, London (National Library), Berlin and Venice.
Feliks Petancic was the last head-master of the famous scriptorium in Buda (part of today's Budapest) until the death of Matija Korvin in 1490. He was a Croat born in Dubrovnik around 1455, and he died after 1517. He entered the history as a scribe and a painter. As a miniaturist he portrayed many Turkish sultans and high court officials in his parchment rotulus called Genealogia Turcorum Imperatorum (started in 1502). His another work is Historia Imperatorum regni Turcici (1502) that is held in the municipal library of Nürnberg in Germany. This book represents the first history of Turkish Empire written in Europe. Petancic's masterpieces belong to highest achievements of Central European Renaissance miniature.
The famous German painter Albrecht Dürer (1471-1528) left us a very nice drawing from 1528 representing coats of arms of Dalmatia and Croatia. See [Gregory Peroche], p. 270.
Julije Klovic, or Don Giulio Clovio de Croatia (1498-1578), is regarded as the last great representative of the classical European miniature. His works decorate many famous galleries: Uffizi in Florence, Museo di Capodimonte in Naples, Biblioteca Marciana in Venice, Galleria Sabanda in Torino, Bibliothek der Albertina in Vienna, Louvre in Paris, Towneley Public Library and Pierpont Morgan Library in New York (which is in possession of "Officium Virginis", 228 pages, his most famous and the best masterpiece, containing 30 valuable miniatures by his hand), the British Museum and Soane's Museum in London, Windsor Castle (Royal Library), Library of the John Rylands University in Manchester. His pupil was El Greco, who portrayed him in his work "Expelling merchants from the temple" (together with figures of Rafael, Michelangelo and Tizian, appearing on the bottom left of that work), now kept in The Minneapolis Institute of Arts (The Willam Hood Dunwoody Fund).
Among his friends let us mention Michelangelo. Klovic used to sign himself as
GEORGIVS JVLIVS CLOVIVS CROATAHis grave is situated near Michelangelo's Moses in the the church of S. Pietro in Vincoli, Rome, and bears an inscription "Pictor de Croatia".
In Klović's The Annunciation in an ornamental broder (kept in The British Museum, London), he signed himself as "Do[n] Giulio Clovio coruato", that is, by clearly indicating his origin (coruato = Horvat = Croat):
Do[n] Giulio Clovio coruato
(i.e., Don Giulio Clovio the Croat)
Selfportrait of young Julije Klović from 1528, kept in Kunsthistorisches Museum in Vienna.
Text arround the upper border:
Iulius Clouius Croatus sui ipsius effigiator Ao:aetat: 30.salut: 1528.
Iulius Clouius Croatus
With sadness we have to point a the following mistake made by the Kunshistoriches Museum in Vienna:
Iulius Clouius [sic!] sui ipsius effigiator Ao:aetat: 30.salut: 1528.
i.e., Croatus has been omitted on the web page of the Kunsthistorisches Museum.
The same mistake can be seen on europeana.eu, referring to Kunshitorisches Museum as the data provider:
Noticed on 21 Jan. 2013, see JPG_kunsthistorishecs_museum, JPG_europeana.eu
The mistake at Kunsthistorisches Museum has been corrected in March 2014,
but at europeana.eu it is still not corrected (as of April 2014).
Iulio clouio de crouacia inuen
Inscribed at the bottom of a print made by Cornelis Cort, after Julije Klovic.
See Rijskmuseum, the Netherlands.
In his works Julije Klović designated his origin as Croata, Croatus, Crovata, Coruato, Corvatinus, Illyricus.
Iulius, Corvatin (that is, Iulius, the Croat), a masterpiece by Julije Klović created in 1542.
He signed himself with his national name on the bottom left. Kept in the British Museum.
Iulius Corvatin (Corvatin = the Croat)
Giorgio Vasari in his monograph Life of Giulio Clovio, published in 1568, wrote the following:
Never has there been nor is there any likelihood that there shall be, for many hundreds of years, a more singular or more excellent illuminator, or we may say painter of small things, than don Giulio Clovio, his having proved to be far superior to all who have ever engaged in painting in this manner.
For more information see Julio Clovio Croata, protector del Greco Foven by Branko Kadic, an article by Marjana Vucic published in American Croatian Review, [Julije Klovic], and [Fontes Clovianae]
Andrija Medulic (Andrea Schiavone, Andrea Meldola de Hiadra), (~1500-1563), a painter born in Zadar or Nadin, started his artistic career in Sibenik and continued in Venice. His works of art are scattered throughout Europe: Zadar, Sibenik, Zagreb, Venice, Milano, Florence, Naples, Torino, Verona, Paris (Louvre), London, Oxford, Richmond, Dublin, Amsterdam, Vienna, Dresden, St. Petersburg, Belgrade. Medulic influenced Tintoretto, who stated that any true painter must possess at least one of his masterpieces. As Klovic, he also influenced El Greco, a famous Spanish painter of Greek origin. Medulic's paintings in the collection of Her Majesty the Queen
Martin Rota Kolunic (Martinus Rota) was born in c. 1540 in Sibenik, Croatia. About 1565 he was already working as an engraver in Venice, while by 1573 he became the court portraitist in Vienna. He died in Prague in 1583. He belongs to the most significant European graphic artists of the second half of the 16th century. He is also well known for his reproductions of the outstanding masters of the Renaissance: Tizian, Michelangelo, Dürer and others. He engraved a number of portraits of important persons of his time, and remarkable geographical maps and vedutes. He immortalized his home town Sibenik as well as his compatriot Antun Vrancic (Antonius Verantius) on his prints. On the portrait of the emperor Ferdinand Ist the master draws the forms with a clear and steady line, separating the body from its background. This description is taken from the British Library web (for more information follow the above link). Note the title of the emperor Ferdinand Ist on the bottom of portrait by Kolunic:
German Ungar. Bohemiae. Dalm. Croat. Rex.
Portrait of Antun
Vrancic by outstanding Croatian
The city of Karlovac was built in 1579 as the first ideal Renaissance fortification in Europe (then followed Nove Zamky, Palmanova, Neu Breisach). It was bombed during the Greater Serbian aggression in 1991-95.
Many beautiful Croatian Baroque paintings and illuminations can be seen on the walls of the churches in north-western Croatia (Lepoglava, Strigova, Varazdin), created by Ivan Ranger (1700-1754). On the photo: St. Luka (Strigova).
The Baroque art in the Croatian north is described by a famous Japanese photographer [Keiichi Tahara]:
Quand un ami française m'a conseillé d'aller voir les églises baroques en Croatie...je n'ai pratiquement rien trouvé sur ce sujet. Cela m'a paru étrange, et j'ai cédé à la tentation...
One of the greatest Croatian Baroque painters was Tripo Kokolja (1661-1713), born in the town of Perast in Boka kotorska (since 1945 in Montenegro).
Here we mention a French artist Charles François Beautemps-Beaupré, who prepared a superb collection of drawings of Croatian coast in his atlas entitled Reconnoissance hydrographique des ports du Royaume d´Italie situés sur les côtes du Golphe de Venise commencé en 1806 par ordre de sa majesté Napoleon. 1806. It contains 15 hand-drawn maps of various sizes, 2 sheets of coastal contours, water colour drawing. This unique Atlas, kept in the National and University Library in Zagreb, is according to presentation given by the British Library (follow the above link) of outstanding artistic and scientific value, and is a contribution to the scientific, cultural and historical accounts of the Croatian coast.
Vjekoslav Karas (1821-1858): Roman Lady with a Lute, one of the most famous paintings of Croatian fine art from the middle of the 19th century... His parents are Bosnian Croats.
In the fine arts of our time probably the most famous is the sculptor Ivan Mestrovic (1883-1962), who created masterpieces, many of which are dedicated to the history of his motherland. You can see them in the Mestrovic gallery in Split and in Croatian capital Zagreb. He also created
His sculptures can be seen in London (Tate Gallery), Florence (in "Uffizi"), Torino, Rome, Prague (in Hradcany), Budapest, Chicago (Chicago Indians, Grand Central Park, see a postcard on the right from 1939 and two photos below), South Bend (Indiana, USA), Rochester (Minnesota, USA), Baton Rouge (Louisiana, USA) etc. He also carved a monument of the most outstanding Slovak writer Martin Kukucin (Matej Bencur) in Punta Arens (Patagonia, Argentina). Matej Bencur spent a part of his life in Croatia on the island of Brac and wrote a book about the life of the Croatian emigrants in South America.
Mestrovic's 1939 sculpture representing Croatian ban and bishop Petar Berislavic (killed by the Turks in 1520) was exhibited on the central square of the city of Trogir. During the Italian Fascist rule the sculpture was destroyed. In 1970 a replica has been installed on the same place. Petar Berislavic was a close friend to a famous Croatian writer Marko Marulic, who described his tragic death.
The grave of Mestrovic was desecrated by the Serbs in his birthplace Otavice during the 1991-1995 occupation of the Krajina region. Some of the original pieces of art from the Mestrovic Mausoleum were damaged, and some were stolen and transported to Belgrade. The remains of "The Monument of Gratitude to Motherland" can be seen in the beautiful Visovac Monastery on the river Krka.
Photos from the booklet Spomen galerija Ivana Mestrovica, Vrpolje. Mestrovic was born in Vrpolje on the north of Croatia in 1883, where he spent his first year of life.
Please, do not miss the following deep thoughts of Ivan Mestrovic, as if written today (taken from Zeljko Skropanic web site, see the complete text):
Mestrovic's equestrian statue of King Carol I of Romania in Bucharest was removed by the communist regime.
One of Mestrovic's major works is Moses, the monument donated to the people of Israel.
Silver Proof €15 coin celebrates the 80th anniversary of the original coin design Girl with Harp which was gifted to the Irish State by Ivan Mestrovic in 1927. This design was submitted by the artist as an entry in the competition for the design of the 1928 Irish Free State coinage. Unfortunately, because of difficulty contacting him (he was in the United States) his design arrived too late for consideration. The Chairman of the Design Committee, a famous Irish poet William Butler Yeats, subsequently wrote "He made one magnificent design and, on discovering that the date had passed, gave it to the Irish Free State with great generosity". It has been used as the seal of the Central Bank of Ireland since 1965. Alongside the €15 Silver Proof Coin being issued in Ireland, there is an almost identical 150 Kuna Silver Proof Coin being issued by the Croatian National Bank. Both coins bear an identical obverse, the beautiful “Girl with Harp” design by Ivan Me±trovic. (source: Central Bank of Ireland)
Both Irish and Croatian coins minted by Croatian Mint
For more information see Ivan Mestrovic Silver Coin [PDF], Hrvatska narodna banka
The double box set limited to 2000 overall, 1000 to Ireland and 1000 to Croatia
In 1928 Mestrovic sent four recommendation letters to his influential friends in Croatia in which he asked to help the Croatian Youth Society BUNJEVAC from the city of Subotica to visit the land of their grandparents - Dalmatia and Herzegovina. As he stated, Bunjevci Croats in Baccka have preserved the character of their grandparents in their ikavian speech and customs. See "Marulic", 5/1998, 908-911.
The first monument honouring Mother Teresa was carved in Supetar on the island of Brac (2002). It was unveiled by Martin Sheen.
Ivan Rendić (1849-1932), distinguished Croatian sculptor, author of about 200 monuments throughout Croatia and a smaller part in Trieste, Italy. Some of his works of art are exhibited at the Ivan Rendić Gallery in the town of Supetar on the island of Brač.
Jozo Kljaković (1889-1969) is distinguished Croatian painter and illustrator. His paintings and murals are mainly of religious content. Kljaković is best known for his frescos that he painted in the church of St. Mark in Zagreb, in the parish churches of Vranjic (near the city of Split), in Dobrota (in Boka kotorska), and in the memorial church in Biskupija near the town of Knin, as well as for his mosaics in the Pontifical Croatian St. Jerome Institute in Rome. He left Croatia in 1943, and spent the following 25 years in Rome and Buenos Aires.
It will be interesting for Russian readers to know that the earliest monument built in honour of the famous writer L.N. Tolstoy (1828-1910) was erected not in Yasnaya Polyana, but in Selca (1911, a year after his death), a small and lovely town on the island of Brac, which has a great tradition in stonemasonry.
In the beautiful stone church in the town of Selca on Brac, there is Mestrovic's bronze statue of Jesus Christ, with a heart in his hand - symbol of love and peace. This statue, a gift of Ivan Mestrovic, was made from large amount of artillery shells left by German troops on Brac after the WW2.
erected a monument to a great pope,
John Paul II,
I like very much Gabrijel Jurkic (1886-1974), a little known Croatian painter from Bosnia - Herzegovina, who studied at the Academy of Arts in Vienna. If you come to Sarajevo, don't miss to see his beautiful "Flower plateau" (from the Kupres area) painted in 1914, held in The Art Gallery of Bosnia - Herzegovina in Sarajevo. See on the left, and many more on Croats in Bosnia - Herzegovina. Biography of Gabrijel Jurkic (in Croatian).
Croatian painter and muralist Maximilian (Maxo) Vanka (Zagreb 1889 - Mexico 1963) completed his studies at the Academy of Fine Arts in Zagreb, where later he became professor of painting. He also studied at the Brussels Academy of Fine Arts, Brussels, Belgium. As a young student he exhibited at an international show in the Belgian capital and in 1914 won the gold medal of King Albert at this event, for his Bistricki prostenjari (Marija Bistrica fairgoers) with beautiful Croatian folklore motives. He made a nice portrait of Croatian female composer Dora Pejacevic (1885-1923):St. Nicholas Croatian Church, Pennsylvania. Some american specialists consider these murals the best church frescos in the USA. He depicts not only traditional Catholic scenes and symbols, but also the lives and spirituality of the Croatian immigrant community.
Vanka founded the art department at Delaware Valley College of Science and Agriculture in New Britain, Pennsylvania. After his tragic death (drowned in the Pacific) a bird sanctuary was established in his honor at the Washington Crossing Nature Education Center.
According to Croatian art historian Nikola Vizner, most of his works are in possession of his family in Bucks County, Pennsylvania; the Michener Museum in Doylestown, PA has a formidable collection of his works; there is a large collection of his work in Modern Gallery, Zagreb, Croatia, as well as in the Memorial Museum Maximilian Vanka in the town of Korcula (on the beautiful island bearing the same name), Croatia. Here is Vanka's philosophy of painting:
His main interests were in folklore and social motives, human destiny in general. One of his deeply moving masterpieces is Lepers, a result of his short stay in India.
Peggy Vanka Brasko: It was well known that my father [Maxo Vanka] worked at painting the murals at a furious pace. He usually worked between 16 to 18 hours daily through the entire week. He worked without a watch so as not to be influenced by the time of day. ...
Peggy Vanka Brasko: ...I most love the picture of him with "Prepelica" the little sparrow [quail] that he nursed back to health after he found it with a broken wing. It became a constant companion as he painted the murals. It tells something about his special intuitive touch which he called "the gift of sympathy". I am so much my father's kid! (and mother's too!) With much love to all of you, Peg
The Murals at St. Nicholas Parish: ...Today they stand as a moving tribute to the people of Croatia, the Croatian immigrant and all immigrants to the United States. They are among the most striking and provocative murals found anywhere in the world. Maxo Vanka's twenty murals, combined with a more contemporary and complimentary mural by J I Knezevich, form a unique church artwork that combines secular and ecclesiastical images with startling interpretations of 20th century historic events.
Maxo Vanka was a good friend to Andrija Stampar, a famous Croatian phisician, father of the World Health Organization (WHO).
You can support the work
to preserve the murals through
the Society to Preserve the Millvale Murals of Maxo Vanka.
Please write for more information to:
Personal and group tours of the murals can be arranged by calling:
Maxo Vanka, a famous Croatian painter
The Society to Preserve the Millvale Murals of Croatian painter Maxo Vanka
Antun Augustincic (1900-1979). It was given as a gift to the UN and it is situated in front of the main building in New York. The basement of the monument is made of the marble from the Croatian island of Brac. The equestrian statue was cast in the city of Zagreb, capital of Croatia.
The Monument of Peace has 10 m high stand and 5.5 m high equestrian sculpture. Another beautiful equestrian statue that Antun Augustincic created represents a Polish marshal, Jozef Pilsudski.
The monument was commissioned before WW II, and was supposed to be delivered in 1939. It was delivered only in mid 1990s, and is now in Katowice, Poland (many thanks to dr. Maciej Paluszynski, Wroclaw, for this information).
Monument of Jozef Pilsudski in Katowice, Poland, carved by Antun Augustinčić, distinguished Croatian sculpturor.
Photos by the courtesy of Mirna Lipovac, Zagreb.
Augustincic studied in
Zagreb and Paris, and except in these
cities had exhibitions in London and Barcelona. He carved a bust of a
famous Croatian violinist Zlatko
in 1967 (Zagreb, Mirogoj). Among his professors at the University of
Zagreb was Jozo Kljakovic,
The Charter of United Nations deals with human rights. Regarding basic human rights, we invite you to read a message of a Croatian Minister to those going to war from 1778, and due to its excellency translated into German, Dutch (in the Hague!), Swedish in 1778, and into Latvian in 1804.
Zdenka Sertić (1899-1986), Croatian painter and ethnographer, collaborated in various journals, lexicons, and enciclopaedias as a graphic illustrator specilized in Croatian folklore, in particular in national comstumes and customs. She had exhibitions in Paris, Leipzig, Barcelona, Berlin, Haag, Bruxelles, Kopenhagen, etc.
Kristian Krekovic (1901-1985), outstanding Croatian artist, born in the village of Koprivna near Tuzla in Bosnia - Herzegovina, in the family of forester from Croatian region of Lika, died in Palma de Mallorca. He studied in Vienna and Paris, and already since 1928 was a member of the French Society of Visual Arts. The same year he was awarded the gold medal in Bordeaux (Exhibition of international art). Krekovic portrayed many ministers, statesmen, and outstanding persons like
(that is, Present and past of the fabulous Peru) in
In the course of Krekovic's first exhibition in the USA (held in New York) he was described as "Yugoslav painter". Krekovic did not permit such misrepresentation, and warned the organizers that he would not allow the exhibition to go on if he were not described as Croatian-peruvian painter. He succeeded, despite the protests from the embassy of ex-Yugoslavia.
It is not surprising that he is often described as Croatian born Peruvian artist, or as Poeta de la pintura. Krekovic signed himself as pintor croata or pintor croata-peruano. His grand exhibition of ethnographic paintings held in 1954 in Lima, was opened by the president of the state.
In 1966 the famous Peruvian city of Cuzco (or Cusco), the old capital of The Inca Empire and "The archaeological capital of South America", conceded him honorary citizenship and the Gold medal of the city.
Since 1965 he settled in Palma de Mallorca, where in 1977 he built the Museum of Palma de Mallorca with his works of art, now known as Museu Krekovic (Collección Pintor Krekovic). The Krekovic Museum was officially opened in 1981 by the Spanish Queen Sophia. In the guestbook she wrote:
The Spanish Queen is also the honorary president of Krekovic's gallery.
The following fascinating work is entitled Exodus of the 20th century. Note that all races are represented, with a couple in Croatian national costumes on the right (in fact his auto portrait and portrait of his wife Sina). Also, the far right person represents a Jew with a typical Jewish cap.
El sentimiento de Kristian Krekovic hacia el mundo es único. Impregna todo su arte e impregna con extraordinario creatividad y constructivo carácter.
Manuel Vegas Castillo, Director of Culture of the Peruvian Ministry of Education:
Kristian Krekovic, the Croatian-born artist, has dedicated his life and his Art to the fabulous Empire of Incas, Pre-Incas and present day Hispano-American Folklore, with such prodigality of love and truth, art and knowledge, force and sensuality, sacrifice and perseverance, the likes of which have never been equaled by any other painter in the artistic history of America.
BARCELONA; "La Vnaguardia Espanola": Juan Coretés, 1957.
"...as sensational, without any exaggeration, can be qualified the exhibition brought to us by the Croatian-born Peruvian artist Kristian Krekovic. His, for the most part monumental paintings are masterly and complicated composition, with absolutely perfect drawing, masterly treatment of chiaroscuro and brilliant and luminous palette...".
The above two texts are taken from the prospect Krekovic Collection, Palma de Mallorca (many thanks to Mr. Vladimir Novak for this and related materials).
uno de los más grandes pintores de
todos los tiempos.
Krekovic used Croatian Glagolitic script in daily correspondence with his friend Marko Dosen (president of Croatian Parliament during the WWII period), as was the custom also in his family during his childhood. His wife was Sina, a Frenchwoman who mastered Croatian language perfectly, using many Croatian expressions and words already expelled during the Yugoslav period. Born in Paris in 1910, daughter of outstanding surgeon, she spoke also Quechua, Catalonian, Spanish, Italian, German (studied piano at the Vienna Conservatory), French, Russian, and English. Krekovic dreamed about free Croatia, and to start again working on his Croatian cycle, but he died too early. It is worth mentioning that in 2002 Javier Bizarro Bentitz won the prestigious "Premio de Poesia Antonio Machado" with his poem Los fantasmas del Parque Kristian Krekovic, among 154 other works.
We mention the monograph Kristian Krekovic. El artista y su obra (1997) written by Gaspar Sabater and published in Spain. The Master thesis (Mémoire de Maitrise) under the title Kristian Krekovic was defended by Ingeborg Möller Rizo at Universidad Cluny Espana (CLUNY ISEIT) in 1974., based on personal interviews with Sina Krekovic, wife of Kristian Krekovic.
Espacio dedicado exclusivamente a la exposición de la obra del artista croata Kristian Krekovic, instalado en Mallorca desde 1965 hasta su muerte en 1985. Presenta además algunas piezas de artesanía popular de Perú, país donde también residió el pintor.
"Poeta de la pintura" llamó a Eulogio Díaz del Corral el pintor croata Kristian Krekovic.
Oscar Nemon (1906-1985), outstanding sculptor and medallist, was born in Croatian town Osijek, and has Jewish roots (Oscar Neumann). Having obtained his baccalaureate in Osijek, in 1923 he moved to Vienna. He was inspired and supported by Ivan Mestrovic, a great Croatian sculptor.
In 1931 Nemon made a portrait of Sigmund Freud in person, for which Freud said to be "...a very good and astonishingly lifelike impression of me". After a short stay in Paris, having obtained bursary from his native city of Osijek, he went to Brussels in 1925, to study at the Academie des Beaux Arts. He stayed in touch with Osijek, and made for the city the monument "June Victims", commemorating the murder three Croatian members in the ex-Yugoslav Parliamnet in Belgrade in 1928, among them Stjepan Radic. In Burssels he made busts of King Albert I, Queen Astrid, and Auguste Vermeylen, a notable historian of the Flemish School of Painting.
Oscar Nemon portraying Sigmund Freud in 1931, source
In 1938, due to the Nazi invasion of Belgium, he fled to England, and lived in Oxford. During the WWII a larger part of his family perished in the Holocaust, including his mother and brother. In subsequent years he made sculptures of many distinguished persons, like Winston Churchil (in 1965, upon the invitation of the British Government, and on the occasion of his death), Queen Elizabeth II, Queen Mother (upon her request), Dwight Eisenhower, Harry Truman, Viscount Montgomery (of Alamein), Harold Macmillan, Margaret Thatcher, etc. It is interesting that Winston Churchil in return made his amateur sculpture of Oscar Nemon.
His obsession was an architectural utopian project of Universal Center of Ethics, and in this respect he seems to be similar to his compatriot Kristian Krekovic. It is little know that Nemon portrayed Kristian Krekovic, a famous Croatian painter:
In 1981 he made a bronze relief for Canterbury Cathedral. His last major work was a National Air Force Memorial for the city of Toronto, Canada, unveiled by The Queen in Toronto in 1984.
For his exceptional achievements the University of St. Andrews in 1977 conferred Oscar Nemon an Honorary Doctorate of Letters. On the occasion of his death, a memorial retrospective exhibition of his works was organized in 1985 in Croatia, in his native city of Osijek.
Some web pages wrongly indicate that Nemon was born in (ex) Yugoslavia, which at that time did not exist. Nemon was born in Croatia, then a constituent of Austria-Hungary.
Josip Crnobori (1907-2005)
Oton Gliha (1914-1999) depicted through his paintings his poetic impressions about hundreds of kilometers of dry stone walls called GROMACE, built on numerous Croatian islands during many centuries. His very original style, based on the unique texture of the gromace, attracted considerable interest during exhibitions in Venice (the bienalle), Sao Paulo, Torino, Milano, Genova, Paris. Some of his paintings are held in the Tate Gallery, the Guggenheim Museum, also in Sarajevo, Ohrid, and in the building of YU government in Belgrade. The solemn curtain of the National Theatre Ivan Zajc in the city of Rijeka is based on the gromace landscape, which is very typical for the nearby largest Croatian island of Krk. Gliha's art reveals an intimate relation between gromace and the structure of the Croatian Glagolitic Script.
Virgilije Nevjestic is one of today's greatest graphic artists, a professor in Paris (since 1977 at the ``Institute for the formation of restorers of works of art'', and also the chief of the ``Atelier for artistic technology''). His masterpieces are in possession o many private collections, including a collection of Georges Pompidou, a former president of France. One of his famous large-scale paintings is Vukovar, which he described as a scream, revolt against an evil done to the Croatian people.
Zdravko Ducmelic (1923-1989), outstanding Croatian artist born in Vinkovci, studied painting in Zagreb, Rome and Madrid (Real Academia de San Fernando), and in 1949 emigrated to Argentina. From 1963 to 1966 he was director of Escuela Superior de Artes de la Universidad Nacional de Cuyo.
Zdravko Ducmelic, autoportrait
Ducmelic masterfully illustrated a famous book "Laberintos", written by Jorge Luis Borges (Ed. De Arte Gaglianone, Buenos Aires, 1983), with his surreal, quasi-metaphysical works (...el pintor preferido de Borges).
He also made various portraites of Borges that were exhibited in 1987. In 1980 Ducmelic has been invited by Argentienan Ministry of Foreign Affairs (Ministerio de Relaciones Exteriores) to realize expositions of his works in several museums in Japan: in Tokio, Kyoto, Aomori and Kamatura.
He also had exhibitions in Panama, Peru (Lima), Chile (Santiago), Mexico, Cuba (Habana), Canada (Ottawa) and China (Bejing). In 1983 he had exhibitions in his homeland, in Zagreb and Rijeka. For more information see El Golem and Arroyo.
interview with Ducmelic in Croatian has been
published in Hrvatska
sa Z. Ducmelicem. Hrvatska
(1988) 4. - 651-668.
(or Joseph Turkaly, 1924-2007)
sculptured numerous works that are found throughout America in private
collections and public places. Suffice to mention a few: an
eighteen-foot bronze Moses on the campus of Notre Dame, two marble
statues of Mary (Our Lady of Peace and Our Lady of Bistrica) at the
National Shrine in Washington, D.C., a bronze statue of George
Washington in the city of Buffalo, also the statues of St. Paul
(Croatian church in Cleveland), Cardinal Stepinac (Croatian Home, East
Lake, Ohio), St. Francis' Stigmata (Windsor, Ontario), Immigrant Mother
(Toronto, Buenos Aires, Zagreb), etc. His works are also found in:
Worthington and Duluth, Minnesota; Gary, Indiana; Dubuque, Iowa;
Rochester, New York; Villa Maria, Pennsylvania; Detroit, Michigan; St.
Thomas, Ontario, and many other public places. (This is an excerpt from
an article by Dr. Ante Cuvalo,
USA). See www.turkalyart.com.
Dusan Dzamonja (1928) is an avant-garde sculptor whose monuments can be seen, besides Croatia and Bosnia-Herzegovina, also in public areas in Austria, Switzerland, Belgium, France, the Netherlands, Italy, the USA, and in the new Yugoslavia. As a means of expression he uses iron, glass, concrete etc. In 1998 he had a great retrospective in Paris (Place Vendome).
Zvonimir Mihanovic, born in 1946 near Split, achieved worldwide fame for his poetic paintings of peace and tranquility along Croatian coast, drawn with breathtaking precision. In 1978 he was awarded the grand prize of the prestigious Salon d'Automne in Paris. In 1996 his work was exhibited in the Croatian Pavillion at the Atlanta Summer Olympics.
Dimitrije Popovic held three exhibitions in Rome as a part of Vatican's celebration of Grand Jubilee to mark 2000 years of Christianity. These exhibitions are also part of the project "The Way and the Holy Land (Rome - Jerusalem)". Paintings within Popovic's cycle Corpus Mysticum are devoted to Jesus Christ and his crucifixion. Born in Montenegro (1951), he graduated at the Academy in Zagreb. In 1982 he exhibited in Pforzheim with Salvador Dali.
Ante Dabro, born in Croatia in 1938, began carving as a shepherd. His talent was first noticed during his childhood, when he carved a dove so precisely, that his cat jumped on it. He studied under Antun Augustincic in Zagreb. Not agreeing with communist Yugoslavia, since 1967 he lives in Australia, where he became one of the most outstanding sculptors. He exhibited in many european cities, and his work is especially esteemed in London. Some of his most important works include Royal Australian Navy Memorial (see also here and here; opened by Queen Elisabeth II in 1986, placed near the Australian Parliament in Canberra), La Perouse memorial in Paris (built in honour of an 18th century French explorer and naval officer Jean-François de Galoup, Comte de La Pérouse; ordered by the French Ministry of foreign affairs, placed about 200 meters from the Eifel tower). In 1999 the ANU (Australian National University in Canberra) Drill Hall Gallery held a major survey exhibition of his work, celebrating 30 years of his activity in Australia. In his short biography presented at the School of Arts of the Australian National University, where he lectures, we can read the following: While he supports contemporary changes in art, Ante remains a passionate guardian of traditional artistic conventions.
Velimir Trnski, oustanding Croatian painter
Naive art is quite widespread and highly esteemed. The first steps were undertaken by the painter Krsto Hegedusic (1901-1971) in the Croatian village of Hlebine. It was the famous Hlebine school. Hegedusic also founded a group of artists called "Zemlja" (Earth) in Zagreb in 1929, which has been forbidden by the Yugoslav (Serbian) police in 1935. From a large number of naive painters, whose creations decorate private and state collections from Paris to Tokyo, let us mention only a few:
Croatian Museum of Naive Art, Zagreb
Very interesting are are naive artists called slamarke from Tavankut (and also in Subotica) among Bunjevci Croats in Backa on the north of today's Yugoslavia. The name slamarke is derived from Croatian name for slama = straw. They use straw weaving for beautiful and poetic description of their life on salas, a small oasis with a hut on immense panonian golden plain full of cereals, with several trees and unavoidable djeram - an old type of well (see on the right). A very common motive are small Catholic churches and Christian symbols. I adore this type of art. At the 1976 international exhibition of naive art in Moscow Ana Milodanovic won the gold medal with her work with straw weaving. Also, Kata Rogic had exceptional honour to present her work to Pope Paul the VIth.
you can see a reliquary chest of St Simun,
created by the goldsmith Francis of Milan in 1377-1380, made on order
daughter of Bosnian Viceroy
(ban) Stjepan Kotromanic and the wife of Croatian-Hungarian King Louis
Anjou. It contains 200 kg of silver and 50 kg of gold, and is held in
the church of St Simun in Zadar. No doubt, the most interesting gallery
is the Benedictine Gallery of
Gold and Silver, which contains
numerous artifacts from 11th century onward, all of them created in
this ancient town. It is indeed amazing that the artifacts have been
saved during the ferocious bombing of the Allies in 1943/44, when the
city, a jewel of Croatian history and culture, was 90% destroyed for
the reasons that we still do not know. The Benedictine convent
of St Mary, where the Gallery is situated, founded in 1066
during the reign of the Croatian
King Kresimir IV (i.e. in time
of William the Conqueror), has been active without interruption till
these days! For additional information about Croatian art in Zadar see here.
Several important galleries of the city of Vukovar have been robbed in 1991 and the stolen exhibits and works of art are still held in Belgrade, capital of Serbia:
Twenty trucks were brought from Belgrade to Vukovar in December 1991 to plunder the City Museum in Vukovar, as well as the Gallery and the City Library, under the auspices of Belgrade curators. The Vukovar Gallery was left completely empty. One expects the Serbs to return 1648 stolen works of art of outstanding Croatian artists, that belonged and still belong to the Gallery of Vukovar. This is only a part of the overall number of about 10,000 stolen works of art from several Vukovar museums and galleries that are now held in Belgrade and Novi Sad. Till now not a single work of art has been returned. (Personal information by dr Bauer, on this web with his kind permission.) ... The above mentioned stolen works of art were returned to Vukovar only in 2002, in such a shape that it will require a lots of further financial and other effort from Croatia to restore it, since it was held in inappropriate conditions in the new Yugoslavia during more than ten years.
We know that a part of this very important Croatian cultural heritage has already been sold in Western Europe. We also know of unsuccessful attempt of Belgrade cultural representatives to exhibit in France this stolen Croatian cultural heritage as Serbian.
Aleksandar Antoljevic Zvjagin, outstanding Russian painter living in Croatia, created beautiful masterpieces for Croatian churches and convents both in Croatia and in Bosnia-Herzegovina. See for example his St Francis taming a wolf, kept in front of the famous Franciscan monastery on the islet of Kosljun near the town of Punat on the island of Krk.
One of the most beautiful buildings in Croatia is the fortress of Veliki Tabor from 15th century, in the north of Croatia (in the region of Hrvatsko Zagorje). An interesting Croatian Jesuit and missionary to India, Nikola Ratkaj (Rattkay) (1601 - 1662), was born there. Another Jesuit and missionary to Mexico born in Veliki Tabor was Ivan Ratkaj (1647 - 1683). For more information see [Croatian "Indias"] and [Zoric]. Veliki Tabor contains a part of collection of Antun Bauer, famous Croatian art collector from Vukovar. These works of art were collected in 1990s, after the Greater Serbian robbery of the Vukovar Gallery and the Vukovar City Museum in 1991. Veliki Tabor had a very rich collection of arms, which was stolen in 1920s and 1930s, during the first Yugoslavia, and transferred to Belgrade. This important Croatian historical heritage is held in the Military museum of Belgrade (Kalemegdan). Veliki Tabor has been saved by a group of enthusiasts gathered around prof. Josip Stimac, dragon of Tabor Grad, by the end of 1980s. During the Yugoslav communist rule after 1945, this Croatian monument of zero category has been left without any care. Unfortunately, numerous important fortresses castles and parks throughout Croatia were ruined during the ex-Yugoslav period.
Castles and parks in Eastern Slavonia (in Croatian).
Archeological museum in Zagreb contains many important finds related to the territory of Croatia and neighbouring areas. It also possesses the most extensive known text written in the Etruscan script (15 m long), still not deciphered.
Extremely important is The Museum of Croatian National Monuments in Split, containing many finds related to the Croatian Pre-Romanesque art, mostly from the region of Knin (Biskupija, Crkvina - remains of a church where King Zvonimir was allegedly crowned, 11th century). The museum was first founded by don Lujo Marun in Knin by the end of the 19th century. In 1934, due to far-sightedness of Stjepan Gunjaca, outstanding archeologist, it was moved to its present site.
A good illustration of the intensity of the cultural life in Croatia in the 19th century is the following: just in the period from 1868 to 1883 the Croatian Theater in Zagreb had as many as 140 (hundred and forty!) premières of the pieces written by French authors, with approximately the same pace until the end of the century. Similarly in Dubrovnik, Zadar and Split, see [Croatie/France], p. 233.
visited Zagreb twice, in 1889
and in 1904, with La Tosca
and La dame aux
performed of course in French. Also according to [Dolbeau]
she had several visits to Zagreb. Is it true that Émil
had Croatian roots, as claimed by the French intellectual Cristophe
Dolbeau, see p 47 (Colich -> Zola)? The French writer George
wrote her novel "Uscoque" (Uskok) in 1838, Prosper Merimée
his famous "Guzla" in 1827, both obviously inspired by Dalmatia and its
inhabitants. The French writers were extremely popular in Croatia in
the 19th century.
In Zagreb alone, in the period from 1919 to 1980, there were near two thousand performances of Shakespeare's dramas (exactly 1940 performances: Hamlet, 654; Twelfth night, 252, A Midsummer Night's Dream, 189; Othello, 132 etc.). They were put on in Zagreb already in the 19th century.
Zagreb also hosted the great Shakespeare interpreter Laurence Olivier, with the guest performance of Titus Andronicus by the London Old Vic (1934).
You can see the home page of the Blind Theater Company - "NEW LIFE" (NOVI ZIVOT) founded in 1948, and until 1986 the only blind theater company in Europe, when several new Blind Theaters appeared. That is why Zagreb will have the honour to organize The first European festival of Blind Theaters in 1999.
The King of Dolls! - Since 1991 an invaluable collection of more than 350 dolls owned by Mr Ljeposlav Perinic, Argentina, is in Zagreb, Croatian capital. Dressed in picturesque national costumes from over 100 countries, these dolls represent gifts of many statesmen to Mr Perinic. He collected them for more than 30 years.
der Filmemacher, Maler und Dichter... Der in
Mit Filmen wie "Der Damm" oder "Der Brief" hatte Kristl großen Anteil am "Neuen deutschen Film". An der Kinokasse erwiesen sich Kristls Leinwandexperimente, bei denen die Einstellungen ohne jeden Bezug zueinander gedreht wurden und Beziehungen erst durch den Schnitt und die Montage zu Stande kamen, als wenig erfolgreich. Auch in späteren Werken wie "Film oder Macht" und "Obrigkeitsfilm" stand Kristls Kino für Subversion und gegen alle historischen Konventionen der Filmerzählung.
Eine der letzten größeren Arbeiten war 1998 der Streifen "Der letzte Klon". Filmkenner lobten vor allem Kristls Radikalität und Konsequenz (...)
Dusan Vukotic with his 1962 OSCAR for animated film Surogat, created in Zagreb
From Vukotic's 1962 OSCAR
It is little known that Walt Disney bought land for his future Disneyland in California from a Croatian proprietor. I owe this information to the King of Dolls, whose relative was married to this Croat.
The first public park in Europe was opened in Zagreb already in 1794 by Bishop Maksimilijan Vrhovec. Named "Maksimir" to his honour, it has a nice ZOO, lakes and pavilions.
One of the distinguishing traits of Croatian national art can be seen in the famous PAG LACE. Meticulous and painstaking work of sunburn women from the island of Pag has been highly praised by European aristocracy. Maria Theresia (1717-1780), Austrian Empress, visited the island of Pag solely to get acquainted with lace-makers and their art. Afterwards, she invited three of them to be permanently on her court in Vienna. Some of the oldest Croatian laces, dating from 16th century, can be seen in the Benedictine convent of St. Mary in Zadar.
The island of Hvar also has the tradition of making lace, but from the threads of agave leaves. Nuns from the Benedictine monastery in Hvar are masters of this unique craft.
The town of Lepoglava (north of Zagreb) is also known for its tradition in lace production.
Croatian cap from Pokupsko (a small town on Kupa river, south of Zagreb). Reproduced from [Pokupsko], many thanks to Mr. Bozidar Skrinjaric for permission. Croatian national costumes constitute a tremendous subject. See some of them.
Blanka Zakula: Etno frizure Hrvatske (Ethno Hairstyles of Croatia), Kulturni centar Gatalinka, Vinkovci, 2006, ISBN 953-9889-6-X (431 pp, 343 color pages, amazing reference - go the the bottom of the page)
Henryk Sienkiewicz (1846-1916), Polish Nobel-Prize winner, wrote parts of his renowned novels during five of his visits to Croatia.
Though Janko Polic Kamov (1886-1910) died very young, at the age of 24, he was a distinguished representative of Croatian and European avant-garde literature. This little known and very original writer was discovered more than 70 years after his premature death. His short story Sorrow was published in the Boston literary journal "Partisan Review." Some distinguished American literary theorists consider him the greatest literary discovery of the 1990s in America. Polic-Kamov's short story Freedom was published in the New York magazine "Grand Street" in 1996, and in the same year he was included in the book History of the Hispanic Avant-garde and the literary journal Corner, published in Oakland, California. By the end of 1990s several Kamov's unknown manuscripts have been discovered in Barcelona, Catalonia (Spain), where he died. His short stories have been published in 100,000 copies. See an article An introduction to the Croatian Avant-Garde Writer Janko Polic Kamov at the USA www-journal "Corner" devoted to the avant-garde, written by Mladen Urem, Rijeka, Croatia.
It is little known that Isadora Duncan (american dancer) and Charlie Chaplin visited Croatia in 1921. They stayed in a villa near Jastrebarsko, on the nice Pljesevica hill. Their signatures are in a guest-book.
Rabindranath Tagore, a famous India's poet, visited Croatia (Zagreb) in 1926.
John Malkovich, a famous American actor, has Croatian roots. It is interesting that he recited verses of Croatian national anthem Lijepa Nasa (Our Beautiful) in Nenad Bach's song "Can We Go Higher?" in 1990s, see the video via www.lijepanasadomovina.com. Many thanks to Nenad Bach for this information.
Freedom From Dispair, a film by Brenda Brkusic, The CINE Golden Eagle Award
If we measure the quality (and popularity) of haiku poetry by a number of international prizes, then Croatia can be ranked very high: immediately after Japan and the USA (1993, 1995). This is due to continuous efforts and enthusiasm of Vladimir Devidé, a well known Croatian mathematician and japanologist. He obtained a prestigious Japanese "Order of Sacred Treasure'' - Konsantõ Zuihôshõ. Here is his haiku related to the aggression on Croatia written in 1991:
The unique beauty of Croatian landscape is offered by the magnificent mountain of Velebit, and the famous Primosten vineyards, where folk builders used dry stone walls to protect every handful of soil from being washed away from the arid rocky terrain. Thus an amazing rocky lace of Primosten has been obtain over the centuries, whose large sized photo can be seen inside the building of United Nations in New York. It is not surprising that Velebit's Endemic Garden and Vineyard from Primosten have won the gold medal at Japan Flora 2000 international exhibition of garden arrangements. The exhibition in 2000 was held on Awaji islands near Kyoto, with participation of 60 countries.
The largest cathedral in Croatia is in the town of Djakovo, bearing visible scars of the 1991-1995 Greater Serbian aggression on Croatia. The church of Sv. Kuzma and Damjan in Vukovar, the second largest in Croatia, was seriously damaged during Yugoslav bombing and shelling in 1991, and devastated in the period of Greater Serbian occupation in 1991-1995. The Zagreb Cathedral is the third largest church in Croatia.
The earliest urbanist in the modern sense was Pope Sixto V (he was the Pope from 1585 to 1590), who had a Croatian father (born in Boka, in today's Montenegro) and an Italian mother.
Hermann Bollé (1845 - 1926), born in Köln, Germany, constructed (or participated in construction of) about 140 buildings in Croatia. Some of the most important are the Zagreb cemetery (one of the most beautiful in Europe), Museum of Arts and Crafts in Zagreb, the Zagreb cathedral, Djakovo cathedral, palace of Croatian Academy of Sciences and Arts.
Contemporary Croatian architects contributed to urban shaping of several important European cities with their projects:
Branimir Medic and Pero Puljiz, both graduates of the University of Zagreb, Croatia (born in Split and Imotski), working at De Architecten CIE in Amsterdam, have won the first prize at the open international competition for their projects of
Nikola Basic, Croatian architect, designed Sea Organ (Morske orgulje) in 2005 and Monument to the Sun (Spomenik suncu) in 2006 in the city of Zadar. In 2006 he received the European Prize for Urban Public Space for his project of the Sea Organ.
Agabekov SA is world's famous company seated in Geneva, Switzerland, dealing with exterior lighting design. Mr Youri Agabekov, the founder of the company, has Croatian roots: his father is Ladislav Zerjavic, from Hrvatsko Zagorje near Zagreb. His products have been used to cover with soft lighting such buildings like (photos by kind permission of Mr. Youri Agabekov):
Mr Youri Agabekov is a Croat born in Russia, living in Switzerland (Geneva) and in Croatia (Zagreb). His company, Agabekov SA, has 80 representatives throughout the world. Here is the logo of the company devoted to his wife Branka:
Light fixture, United States Patent 4158221 by Youri Agabekov; some of his patents are also held in Japan
Charles Billich is outstanding Croatian painter born in 1934 in the town of Lovran in Istria, and since 1956 working in Australia. He has permanent exhibition of his works at Hakane Museum in Tokyo since 1997, and was designated the official artist of the Australian Olympic team for Olympic Games in Sydney in 2000. I like his Canberra cantata. In 1998 Charles Billich completed his series of Bleiburg paintings. He was elected the official painter of Australian and the USA national teams at Olympic Games in Greece, 2004. In 2004 he was elected the Official Artiest of the 2008 Beijing Olympiad. Laureate of the Milan & Spoleto Award, Italy, in 1989. His most famous galleries are Billich Gallery in Sydney (100 George Street), Australia, and Fortezza Gallery in the lovely town of Lovran, Croatia. In 2004 he had the exhibition of some of important Croatian contributions to science, held in the building of United Nations in New York (portraits of Faust Vrancic, David Schwartz, Lupis Vukic, Slavoljub Penkala, Josip Vucetic, Nikola Tesla, Marin Getaldic, Rudjer Boskovic, Marco Polo, Andrija Mohorovicic, Spiridion Brusina, Lavoslav Ruzicka, also Croatian cravate, and an oil representing one of truly painful Croatian themes from the period 1945-1948 immediately after the WW2: Bleiburg). He was commisioned to paint East Timor's official independence painting. He presented a painting to pope John Paul II.
Charles Billich Collections (incomplete):
Velimir Trnski, top Croatian painter, "paid tribute to Katarina Zrinski née Frankopan (17th century), the young widow of Petar Zrinski, but seen, and painted, from a (post)modern sensibility angle" (Darko Glavan, art historian).
Davor Vrankic, distinguished Croatian painter living and working in Paris and New York, uses the motives of interlace patterns from the north of Croatia (more precisely, from his native Slavonia) in his extremely complex and intricate artistic compositions.
See Ice Dreams for more details. Please, note that this art has a very demanding sporting elements: sculptures are made at temperatures reaching -30 degrees Celsius, and it is quite nontrivial to manipulate with a huge block of ice weighing several hundred kilograms. For more information see also The CROWN.
Jorge Andres Franulic, born in Croatian emmigrant family in Chile, living in Brasil, created a wall relief of 900 m2 at the entrance Armenian Club in Sao Paulo.
See Milan Puh: Mali leksikon Hrvata u Brazilu, Hrvatski iseljenički zbornik, Zagreb 2020., pp. 144-153 (see p. 150)
Ivana Brlic Mazuranic (1874-1938) is a very well known name among Croatian children. She wrote beautiful books of Croatian fairy tales, the most famous being Price iz davnine (Tales of Long Ago) that appeared in Zagreb in 1916. It was translated from Croatian into English by F.S. Copeland under the title:
published in 1924. in London by George
Alen & Unwin Ltd (260 pp, hardcover). Until 2018, the book had as
many as 60 (sixty) translations throughtout the world. (Many thanks to
dr. Dina Šimunić for this information.) The translations are kept in
Villa Ružić in the city of Rijeka.
For more photos see Yale University Library
Books of Ivana Brlic Mazuranic were translated into all major world languages (more information in Croatian). Except in English, there exist also translations into
... Une des toutes dernieres productions originales de Croatia Film, "Lapitch - Le petit cordonnier", tiré d'un conte de Ivana Brlic Mazuranic, femme écrivain croate du XIXe siecle, est actuellement le produit phare de l'école : avec plus de 300 000 cassettes vidéos vendues rien qu'en France, commercialisées par TF1 Vidéo, il représente la production audiovisuelle croate la plus recherchée sur marché international. (source: Ambassade de Croatie en France).
For more information about Croatian art see